PORTLANDâS LARGEST GATHERING OF HORROR FANS ASSEMBLED AT THE HOLLYWOOD THEATRE IN JUNE
PORTLAND, OR – Donât worry! It all happened virtually. Portland Horror Film Festivalâą was the first all-horror film festival in the US to take its program online, working with the Hollywood Theatre to stream 65 short and feature films to isolated horror fans, June 10th and the 17th-21st. For the first time, Portland Horror Film Festivalâs program was available to anyone in the US, so fans from all over the country joined Portlanders virtually at the Hollywood Theatre for the massive event that showcased the works of independent filmmakers from 14 countries, including Iran, Russia, France, Slovenia, Poland, Canada, Portugal, Italy, Spain, Mexico, Great Britain, the Netherlands, Czech Republic, and the US. In addition to evangelizing the works of indie filmmakers during a time when most film work has halted, and providing much needed relief to fans stuck at home, a portion of ticket sales also benefited the historic Hollywood Theatre, Portlandâs beloved non-profit movie palace, which has been closed since March.
Between the ongoing COVID-19 global health crisis and the continuing protests for the Black Lives Matter movement, weâre living in tumultuous times, and festival directors Brian and Gwen Callahan believe that Horror is the medicine we all need. The festival featured films from around the world, from filmmakers of many different cultural backgrounds, plus more horror films by women than ever before. âIf the last few weeks have shown us anything, itâs that this kind of representation in film is more important than ever before,â said Brian Callahan.
As an interracial couple, the Callahans are no strangers to casual racism, with Gwen Callahan being Korean. âWhat weâve experienced pales in comparison to the daily struggle of black Americans, who are part of a system that was designed to keep them from succeeding,â Gwen says, âand as horror fans, we are enriched by the contributions of black filmmakers that often have to work twice as hard to prove themselves. As a film festival that celebrates diversity, we havenât always felt that weâve done a great job of showcasing the works of black filmmakers, and going forward, this is something that weâre going to change.â
âFear knows no borders, and horror is the most essential human genre because it exposes the fears that we all have in common, regardless of religion, skin color, politics, or geography,â says Brian Callahan. âWe take our mission seriously, because we feel that horror films are the universal language that brings us all together.â
Despite being streamed, this yearâs festival was a true fest experience and was much more than just watching movies. The Callahans introduced and contextualized each block of films for the audience and also hosted live streamed and pre-recorded Q&As over Zoom with over 90 independent filmmakers, including genre favorites like Barney Burman, an Oscar-winning makeup FX artist in his own right, but whose father also innovated the makeups for the original PLANET OF THE APES, Gregg Hale, the Portland-local producer of THE BLAIR WITCH PROJECT, John Penney and Brian Yuzna who talked about RETURN OF THE LIVING DEAD 3, Janina Gavankar, known to genre fans as an actress on the TV Series SLEEPY HOLLOW and TRUE BLOOD, with her directorial debut, âStuccoâ, as well as CollegeHumorâs Katie Marovitch and Kerry Barker who wrote the comedy-horror short âWaffle.â
Every year, the festival directors and jury exhibit only films they believe to be the absolute best of independent horror, so they give only a few meaningful awards to honor those films that truly shatter the expectations of the genre.
MAKING MONSTERS, the debut feature by Justin Harding and Rob Brunner, went home with the âGoule dâOr Awardâ for Best Feature. A Youtube prankster and his wife are subjected to horrific abuses during a weekend getaway. This layered, quintessentially modern horror film deftly mixes genres and creates an experience like nothing youâve seen before. Lead actress Alana Elmerâs outstanding performance demonstrated such depth and range of emotions, she also took home the festivalâs âMasque Rouge Awardâ for Best Performance.
The âGoule dâOr Awardâ for Best Short went to âThe History of Monsters,â for its beautiful cinematography, frightening monster design, and an unexpected take on male/female relationships. Written and directed by Juan Pablo Arias Muñoz, the film is set against a post-apocalyptic landscape, where a woman makes a gut wrenching decision about whether her need for companionship outweighs her need to be safe.
The âMain de Gloireâ celebrates films that are not only great horror but which also use that horror to teach us a lesson about ourselves or our world. It was awarded to Polish filmmaker Kasia Babiczâs short film âAttachmentâ about a man who leaves his wife for his young mistress, but soon suspects she is becoming something monstrous. Both beautiful and terrifying, Babiczâs film is an exploration of gender dynamics and male privilege that resonates strongly in our MeToo era.
The coveted âHorde Awardâ is the festivalâs Audience Choice Award, decided entirely by audience ballot. Of the 60+ films shown during this yearâs festival, UNCLE PECKERHEAD, the feature debut by Matthew John Lawrence reigned supreme! When punk-rock band DUH finds themselves on their first tour with a man-eating hillbilly for a roadie, the âgig lifeâ is paved with nightmares and half-eaten bodies. Between the comedic kills, awesome soundtrack, and demonic action, this film had something for everyone.
Each year, the festival invites a celebrity guest judge from the world of horror to select their favorite short film for the âBloody Judge Award.â Brian Trenchard-Smith (Dead End Drive-In, The Man From Hong Kong) was this yearâs Bloody Judge and he singled out âDestroyer of Worldsâ by Humayun Mirza for this honored award. A couple, trying to rid the world of injustice and tyranny, perform a ritual sacrifice which results in the destruction of humanity.
The âFunny Boneâ Award for excellence in horror comedy went to âLonely Heartsâ co-written by Dennis Cahlo and Bethany Watson, which impressed the festival not only with its humor, but also with its deft homages to fan favorite Giallo and serial killer films. Italian filmmaker Andrea Corsini used sweeping camera angles and immaculately designed shots to effectively convey physical and emotional spaces in his short film âFerineâ, taking home the âCamĂ©ra de Sangâ Award for Best Cinematography. Joseph Grahamâs bizarre short film âMashed Potato Face,â about a killer obsessed with mashed potatoes, won the âAbby Normal Award,â and the winner of the annual Bumper contest for micro shorts was âCriss Crossâ by Matthew Robinson.